The halls were, for the most part, silent at Keaton University; it was the day after Christmas, after all. Who would want to be in school during Christmas break anyway? Aside from the few who had nowhere else to go, the dorms, and, as a result, the rest of the school, were completely deserted. For the most part. For the most part, Chritmas was the time to get out of school and go home. To Lyra, it was the time to get in. Lyra Evans thought it was the perfect place to be during Christmas break. Why? Because everyone else wanted out.
The only sound Lyra had heard between walking onto the campus, through the halls, and into the auditorium were the sounds of her own boots hitting the pavement, the tile, the carpet. Shed had to jump through what seemed like no end of hoops to get permission from the music department to be allowed in here over Christmas, but it was worth it. The auditorium had excellent acoustics.
She’d already set her things down and ditched her boots, socks, and a good deal of her winter clothing. She preferred light things, and winter was hardly the season for light clothing. She had already hooked up a CD to the sound board, gotten out her violin, tuned it and done all her other preparations. The mundane part of her routine was complete. Now… now was time for her to make magic. That’s what she thought of it as anyway. To Lyra, there was nothing more magical than weaving notes into melodies, making them resonate until the listener forgot that they were sitting smack dab in the middle of industrial steel and brick and mortar and glass, and could almost believe they were in another place and time entirely.
Of course… there was no rule that said Lyra wasn’t allowed to lose herself in her music too. Her latest project, “The Voice” was by far the most beautiful song she’d come across. She hit play on the remote and closed her eyes, just Listening. She’d had one of the other music students help her record this; she couldn’t play drums. As soon as she heard her recorded self begin the first violin note she began her song.
“I hear your voice on the wind
And I hear you call out my name.”
By the end of the fourth line she was beginning to slip into the trance she was creating.
“Be not afraid - come follow me
Answer my call and I'll set you free.”
By “free” she was lost. Her fingers carried themselves over her strings, her hand knew exactly where to guide her bow. All she was thinking about as her haunting notes reverberated through the theater was what she wanted the song to feel like. As if she could sing life into it, make it into a living creature, make people see it, believe it, feel it in the depths of their soul, let it carry them to places they could barely imagine in waking life. This… this was what she lived for. It didn’t matter that she was the only one in the room. All that mattered was the music.
She completely forgot to shut the door.
((
"The Voice" - Celtic Woman))