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Title: MARVELous News


Purple Ranger 14 - September 16, 2005 06:22 PM (GMT)
Marvel Has New Name, Slate
Marvel, the home of Spider-Man and X-Men, has a new name and 10 new movies in development, Variety reported. With its $525 million debt facility from Merrill Lynch closed, the company is changing its name from Marvel Enterprises to Marvel Entertainment, reflecting its new business producing and financing movies internally without a studio partner.
Along with the Merrill Lynch deal, Marvel struck a deal with Paramount to market and distribute its films for a fee, similar to Lucasfilm's arrangement with Fox, the trade paper reported.
Marvel has identified 10 new characters and groups it will develop as potential feature franchises to produce itself: Captain America, the Avengers, Nick Fury, Black Panther, Ant-Man, Cloak and Dagger, Dr. Strange, Hawkeye, Power Pack and Shang-Chi.
The deal with Merrill allows Marvel to produce films with budgets between $50 million and $165 million. If the first films are successful, Marvel will be able to replenish the facility to produce new movies in development or sequels to hits. The company is hoping to release its first movie by the summer of 2008.

Purple Ranger 14 - September 16, 2005 06:23 PM (GMT)
Captain America's Big Shot
By Joal Ryan
Tue Sep 6, 8:52 PM ET
Spider-Man is about to get company--a lot of it--in makeup.
Marvel Entertainment, the Webslinger's corporate boss, announced plans Tuesday to produce as many as 10 new films based on 10 characters from its considerable comic-book collection.
Captain America, Black Panther and the supergroup known as the Avengers are among the crimefighters in line for their big-screen closeups.
As announced last April, Paramount will distribute the films, all of which are slated to be live action. The first made-by-Marvel movie is due out in summer 2008. Which tights-wearer will be the subject of that inaugural production is undecided.
"No character before its time," Avi Arad, chairman and CEO of Marvel Studios, told the Hollywood Reporter. "The scripts will dictate which is first."
The other characters jockeying for position: Nick Fury, the one-eyed agent of S.H.I.E.L.D.; Ant-Man, the ant-sized avenger from Coral Gables, Florida; Cloak and Dagger, a pair of vigilante teenagers; Doctor Strange, a neurosurgeon turned sorcerer previously immortalized in a 1978 made-for-TV movie; Hawkeye, a mere mortal with a costume and spot-on archery skills; Power Pack, a sort of kid-centric Fantastic Four; and Shang-Chi, a kung-fu fighting master.
There's nothing new in Marvel product becoming movie product. Spider-Man, the X-Men, the Hulk, Daredevil, Elektra, the Fantastic Four and Blade all hail from the comics giant, and all have recent big-screen credits. Next year will bring more Marvel releases: Ghost Rider, The Punisher II and X-Men 3.
What's new is the amount of control Marvel will exert over its legion of heroes--no small thing for a company that has wrangled in the past with producing partners. In the new set-up for the 10-picture slate, Marvel will set the budgets (approximately $165 million), secure prime release dates (the summer or winter holiday seasons) and keep the kitty from all film-related merchandising.
Additionally, Marvel will hire the writers, and decide which screenplays are ready to shoot, and when. In the Reporter, Arad dropped a heavy hint that a certain shield-baring, star-spangled superhero might have the inside track. "I cannot wait to tell Captain America's story," he said. "It's a doozy of a story." (Variations of the story have been told already, most ignobly in a low-budget 1991 feature that was dumped on video.)
Marvel's exclusive pact with Paramount also is new. In the past, the company's heroes have worked freelance for the likes of Fox (the X-Men franchise), Universal (The Hulk) and Sony (the Spider-Man movies). As a result, a project like The Avengers might present a lineup challenge to Marvel and Paramount since Avenger members such as the X-Men's Wolverine and Hulk already have appeared in films for rival studios.
She-Hulk, however, is unattached and available at a moment's notice.

Nomytaker - September 16, 2005 06:26 PM (GMT)
QUOTE (Purple Ranger 14 @ Sep 16 2005, 01:23 PM)
Next year will bring more Marvel releases: Ghost Rider, The Punisher II and X-Men 3.

Punisher II. Helllllllllllllllllll (Was going to say a swear word) Yeah!!!!!!!!!!!


Completely slightly off topic.....I just brought Punisher on UMD!

Purple Ranger 14 - September 16, 2005 07:10 PM (GMT)
B)

Purple Ranger 14 - December 3, 2006 11:43 PM (GMT)
Marvel Solicits for February 2007
The Marvel Solicits for February 2007 are here. Check out what Marvel
has in store for your favorite books, including:
- Peter David and Jae Lee kick off the adaptation of Stephen King's best-selling series of novels with Dark Tower: The Gunslinger Born #1.
- Marc Silvestri joins Brian Michael Bendis and Warren Ellis for Civil War: The Initiative, a look at the post-Civil War Marvel U., complete with all-new stories.
- The Initiative doesn't end there, though. Check out New Avengers #27, Captain America #25 and Iron Man #15 for major new developments.
- Spidey dons the fan-favorite black costume once again as Spider-Man: Back in Black explodes throughout the pages of Amazing Spider-Man #539, Friendly Neighborhood Spider-Man #17, Sensational Spider-Man #35 and Spider-Man Family #1
- Eternals goes to seven as Neil Gaiman and John Romita Jr. deliver one more issue of their stellar series.
- There's a double-dose of Ghost Rider as the prequel series Ghost Rider: Trail of Tears launches alongside Ghost Rider #8, an issue with close ties to Civil War.
- Chris Claremont makes his triumphant return with Exiles #91 and two issues of New Excalibur, #16 and #17.
Check out the February Catalog now to see what else your favorite creators and characters are up to!
http://www.marvel.com/news/comicstories.698

Purple Ranger 14 - December 24, 2006 08:39 PM (GMT)
Marvel Solicits for March 2007
The Marvel Solicits for March 2007 are here. Check out what Marvel
has in store for your favorite books, including:
- The launch of one of 2007's biggest and most important titles, Mighty Avengers. Brian Michael Bendis and Frank Cho kick off a truly "can't-miss" storyline!
- A new dose of Marvel Zombies goodness as the alternate reality super-ghouls meet Ash, the iron-fisted hero from the Evil Dead films!
- It's a month for endings as Bullet Points, Fantastic Four: The End, Avengers: Earth's Mightiest Heroes II and Onslaught Reborn all come to stunning conclusions!
- Daredevil #95 kicks off Ed Brubaker and Michael Lark's second year on the horned hero with the beginning of a new storyline, "To the Devil His Due."
- The death of Blade in Blade #7!
- Big things are happening in Black Panther #26, Captain America #26, Fantastic Four #544, Iron Man #16, Ms. Marvel #13 and New Avengers #28...stuff so big, we can't even talk about it!
http://www.marvel.com/news/comicstories.624

Purple Ranger 14 - January 4, 2007 07:27 PM (GMT)
Marvel Animated Features Q&A and mp3s
Ultimate Avengers and Iron Man composer spills the beans
By Jim Beard and Ryan Penagos
Following up on our story on the iTunes debut of music from Marvel's animated films, we tracked down composer Guy Michelmore to answer some questions about his work, influences and what he's working on next.
And at the end of the interview, head down and check out a few sample mp3s we snagged from the films!
Marvel.com: Who are your film composer inspirations?
Guy Michelmore: I think every composer working in commercial films draws on landmark composers like Bernard Herrmann, John Williams, Danny Elfman and Hans Zimmer, all of whom have taken the genre forward in their own way. I'm a big fan of John Powell and Harry Gregson Williams who are both at the top of their game at the moment. Ennio Morriconne is one of the greatest living film composers, "The Mission" was a huge achievement. Most composers have also been influenced to some degree by minimalists like Steve Reich, Phillip Glass and John Adams.
Marvel.com: Are you yourself a comic fan? Do you read up on the background material before composing?
Michelmore: I wasn't when I was a kid but I am now and yes I look at the comics when I'm getting into a movie. Many of these animated features are very close to the spirit of the original comics and so I try and draw some inspiration from the source material.
Marvel.com: Which of your Marvel scores has been the most satisfying for you?
Michelmore: In a way "Dr. Strange," as he is not the classic super hero. It was very nice to work on a blank sheet of paper as he'd never come to the screen before so he didn't have a "sound".
Marvel.com: Which of the characters was the most challenging for you to capture with music? The easiest?
Michelmore: Captain America was quite tough as he was a '40s man in a future world. Strange was hard at first, Iron Man just came straight away as did Black Panther as I have done a lot of work with African musicians in the past so I could draw on that.
Marvel.com: How do you want viewers to "get" your scores? Should they be subconscious or on a higher, more direct level?
Michelmore: Like all movie scores, they are the servant of the greater project and if it makes the film work as well as it can then that's it. The scores themselves I think really stand up by themselves and they are quite epic and uplifting I hope.
Marvel.com: What parts of the Marvel scores did you like best, as far as action scenes, character-defining, quite moments, etc.?
Michelmore: The first film, with Hulk going mad was great as it was the first big action scene I scored for Marvel and it sort of set the tone. The Mothership battle in "UA2" was great, Iron man whooshing out of the volcano, Lee May's theme in "Iron Man" and all the '40s stuff in "IM." Dr Strange's main theme I really like and the cue where he walks off into the snow is really great.
Marvel.com: Tell us a bit about what you're working on now and what Marvel project you'd LOVE to do.
Michelmore: I've just finished up with "Dr. Strange" and I am now on a 52 part series for Discovery Kids called "Growing Up Creepie" which is hilarious about a girl being brought up by a family insects. There's a LOT coming up in the next year or two. I love the animated features but I would also love to do some more live action again.
Until 4 years ago I hadn't scored a note of animation, so I would love to do a Marvel live action movie, particularly maybe the lesser known characters who haven't yet had their personality and sound defined.
http://www.marvel.com/news/moviestories.633

Purple Ranger 14 - January 19, 2007 05:52 PM (GMT)
Marvel Solicits for April 2007
Marvel's not fooling around this April as a horde of standout titles hit stands with righteous fury. Here are just a few of the books you have to check out:
- Itching for more Civil War action even though Mark Millar and Steve McNiven have wrapped things up in the main series? Check out the CW epilogue CIVIL WAR: THE CONFESSION by Brian Michael Bendis and Alex Maleev and brace yourself for two heavyweight one-shots by Jeph Loeb! Loeb's joined by Leinil Yu for CIVIL WAR: FALLEN SON - WOLVERINE, with Ed McGuinness handling art chores for CIVIL WAR: FALLEN SON - NEW AVENGERS. These are all can't-miss books!
- AVENGERS: THE INITIATIVE by Dan Slott and Stefano Caselli begins. We can't tell you what it's all about just yet, but believe us when we say it's a big deal.
- A trio of spin-off launches rocket out of April as the new ongoing, post-Annihilation NOVA series kicks off and two mini-series, LONERS and OMEGA FLIGHT, spin-out of RUNAWAYS and CIVIL WAR respectively.
- Fans of STEPHEN KING'S DARK TOWER: THE GUNSLINGER BORN get a double-dose in April as the DARK TOWER: GUNSLINGER'S GUIDEBOOK hits stores alongside the third issue of the stellar series.
- It's the end of "Planet Hulk" in INCREDIBLE HULK #105, setting the stage for "World War Hulk."
- While there's no new issue of ANITA BLAKE VAMPIRE HUNTER this month, there's a special treat in the form of the ANITA BLAKE VAMPIRE HUNTER: GUILTY PLEASURES HANDBOOK, which provides an inside glimpse into all the people and places of Laurell K. Hamilton's universe.
- And lest we forget that Joss Whedon and Michael Ryan kick off their RUNAWAYS run in April!
http://www.marvel.com/news/comicstories.802

SpiderX - March 26, 2007 01:00 PM (GMT)
Marvel Trading Card Video Game: http://www.marvel.com/news/vgstories.787

SpiderX - March 26, 2007 01:48 PM (GMT)
The first issue of Marvel Comics' new comic-book series based on Stephen King's The Dark Tower books goes on sale at 12:01 a.m. on Feb. 7. The Dark Tower: The Gunslinger Born number one will be available at nearly 150 retailers across the United States.
http://marvel.com/news/comicstories.607

SpiderX - March 26, 2007 01:57 PM (GMT)

SpiderX - March 26, 2007 02:07 PM (GMT)
Iron Man? Thor? Which B-List Superhero Has The Brawn To Make It Big?
Impressive box-office receipts mean lesser-known comic book heroes are heading to big screen.
by Larry Carroll
LOS ANGELES — Superman has saved the day. Batman has begun again, Spider-Man will soon be spinning his third adventure and the X-Men have taken "The Last Stand." After all those big muscles, big budgets and even bigger box-office receipts, it's no surprise Hollywood is now exploring the thousands of lesser-known characters who also populate the comic book universe.
(See Kevin Smith, Nicolas Cage and more talk about your favorite lesser-known superheroes.)
But with everyone from Nicolas Cage to Robert Downey Jr. squeezing into spandex, both the geeks and the green have to wonder: Which of these B-list heroes have what it takes to become A-list movie stars?
"They really have been on the back burner for a while," Ryan Liebowitz, owner of Golden Apple Comics in Los Angeles, recently explained as he looked over a list of heroes due to hit the screen soon. "But there are actual storylines going through these characters for years — 30, 40, 50, in some cases 60 years."
One such character is "Ghost Rider," first conceived in 1949 but never realized on the big screen until superstar/ biker enthusiast/ comic geek Cage decided to hop on the Hell Cycle after a mid-'90s flirtation with the Man of Steel. "He's not one of the big three: He's not Superman, Spider-Man or Batman," Cage explained. "Those characters need no introduction, and you could probably open those movies no matter how you do it, because there's an automatic audience built in. Ghost Rider needs an introduction, but he's more interesting, he's a little deeper, he's dealing with the material and the spiritual ... he's a break from the cape and the tights."
"[Ghost Rider] is a B-character, and after so many smash hits — X-Men, Spider-Man, Superman, Batman and the others — it's good to see some of these lesser-known characters get their time in the sun," said Shane Coleman, a lively employee at the L.A. comics store, though he added that he's "not a big fan of Nic Cage playing Ghost Rider. Personally, I think he's a little old."
"[Cage] came in here years ago when he was up for the Superman role, before they made 'Superman Returns,' " revealed Liebowitz, adding that it's quite common for stars like Jessica Biel ("Blade: Trinity") to come in and purchase huge stacks of comics for research. "He actually came up to the counter and said, 'Hey man, what do you think? Should I be Superman?' My answer was honest and genuine, which was 'Make sure you choose wisely which character you want to be, because it could consume you.' "
Consumption is the watchword for "Iron Man" hero Tony Stark, who'll be played by Robert Downey Jr. in Jon Favreau's film, which also stars Terrence Howard, Jeff Bridges and Gwyneth Paltrow. Stark, an industrialist who has battled substance abuse and dips in popularity, has become arguably the biggest Marvel Comics hero without his own movie — until now.
"Over the years, [Iron Man] has just continued to get weighed down and weighed down," Coleman said, comparing the darkness of Stark's story to that of Bruce Wayne. " 'Demon in the Bottle' is one of the most famous stories. It's basically just showing that Iron Man is a human, and it's all about his battle with alcoholism. He's fallible."
"He wasn't bit by something, or traumatized by a flying rodent," Downey laughed. "He's just a guy, like us — except he is in an extraordinary situation, and he has to use his innovation and understanding of technology to save his own butt. ... The truth is that the technology and the mythology of a character like Iron Man is actually pretty close in hand. That brings a real interesting realism to it."
Downey has been pumping iron around the clock to prepare for the role. "I just want to look good," he said of his muscles, "so people aren't like, 'Why is Jelly Belly playing a superhero?' "
By the time all these B-level heroes have come and gone, the greatest threat to Iron Man's A-list ascension might be the Silver Surfer, who'll swoop in this summer to save the Fantastic Four in more ways than one. "He was a scientist on a planet, and this evil entity — a hungry evil force in the galaxy called Galactus — comes to his planet one day," explains "Pan's Labyrinth" star Doug Jones, who plays the Surfer. "[And the Surfer] said, 'Tell you what: Stop what you're doing, and take me instead.' "
In "Fantastic Four: Rise of the Silver Surfer," Jessica Alba, Chris Evans and the others will encounter the sedate silver superhero, as well as his God-like boss. "[Surfer] ends up coming to Earth and finds it a very suitable planet for Galactus to destroy and consume and eat all the energy from. It's the Fantastic Four who intercept him and say, 'Hey! Uh ... stop!' " grinned Jones. "He might be a B-list superhero as far as the public knowledge goes now, but I think he's gonna rise to A-list level."
"[Galactus] will be one of the largest CGI projects ever," Coleman marveled.
"C-list" might be a better description for Ant-Man, a founding member of superhero supergroup the Avengers — but arguably one of the goofiest heroes around.
"He's never going to be a hero in my eyes; he's never gonna be an A-lister," laughed Coleman. "The whole reason they call him Ant-Man is because he has this helmet that allows him to communicate with ants. He could either be the greatest villain ever — destroying everybody's Sunday picnics — or else he can become the greatest hero ever, making sure the ants stay away from their picnics."
It's a good thing, then, that "Shaun of the Dead" director Edgar Wright intends to make it a full-on comedy. As a result, some comics experts have a few warnings for him. "I am all for the lower-tier characters," explained writer/director/lifelong comics fan Kevin Smith. "But some of them are more interesting than others."
"It depends on how many toys the studio expects you to sell," cautioned "Batman & Robin" director Joel Schumacher, whose advice for young filmmakers like Wright is to be careful with the camp. "We were hired very much to serve a lot of that commerce ... I know some people were disappointed in 'Batman & Robin,' but we didn't try to disappoint them. It still made a lot of money and has a lot of fans."
Another hero who might toe that dangerous line is Ant-Man's Avengers colleague "Thor," whose movie is likely to begin filming next year. "Thor, in his original form in the old Jack Kirby style, could be construed as kinda goofy," Liebowitz said, holding up an old Thor comic, and then replacing it with a new one. "What they've done recently is transform him, and they've almost picked the actor who might portray him. You can see here that he looks like Triple H, the wrestler."
"He's got wings on his head," argued Liebowitz's employee, shooting down any attempts to make the Norse God seem cool. "He walks around saying, 'Nay, knave!' Who talks like that?"
You might also someday find yourself wondering who talks like "The Watchmen," a group of deep-thinking superheroes who contemplate philosophy, theology and Friedrich Nietzsche — but don't voice such statements aloud, or you might get just your ass kicked by guys in Dr. Who T-shirts. "It's the biggest fan favorite [with] comic book geeks, nerds or just fanboys," Coleman said of the '86-'87 graphic-novel series featuring obsolete superheroes uncovering the deception, infidelity and murder buried within their supposed glory days.
"I've been telling the studio, 'Listen, the thing with "Watchmen" is that it's much more like "Dr. Strangelove" than "The Fantastic Four," ' " explained fast-rising director Zack Snyder, who will helm the movie as the follow-up to his innovative Frank Miller flick "300." "Watchmen" was selected as one of Time magazine's 100 best English-language novels and Snyder said it needs to be treated with similar cinematic respect. "It's completely different from what you are used to seeing from the comic book character world," he proclaimed. "It's a stunning piece."
"If they don't do 'The Watchmen' right, there would be riots in the street," Coleman warned. "There would seriously be fanboys throwing trash cans."
One thing seems certain: Snyder will heed Schumacher's advice and not try to make his B-list superheros merely vehicles for selling memorabilia. "That would be an ironic," he said, laughing at the notion of an 8-year-old dressed for Halloween as jaded God-figure Dr. Manhattan. Likewise, Smith noted that it would be best for kids to not try to dress up as Ghost Rider. "That would be a tough one to pull off. You have to light your head on fire," he grinned.
Other B-listers hoping to step up their game soon include Nick Fury (who received a recent comic makeover to resemble Samuel L. Jackson), Deathlok, Luke Cage and the Flash. "Comic books, in their simplest nature, are storyboards which are used to make films," said Liebowitz, observing the Hollywood shoppers clogging his aisles. "We can't keep these books on the shelves."
http://www.vh1.com/movies/news/articles/15...216/story.jhtml

SpiderX - March 26, 2007 02:12 PM (GMT)
Arad Updates Marvel Film Slate
Former Marvel Comics chief Avi Arad, who is now a producer, said that his plate is full with upcoming Marvel film adaptations through 2010, starting with Iron Man and the sequel The Incredible Hulk. That's in addition to the upcoming sequel for The Punisher, a possible fourth Spider-Man film and a second Ghost Rider; the first one opens Feb. 16.
"We have Iron Man starting in March, and The Incredible Hulk is starting in June, and across town somewhere happening right now is a meeting about Punisher 2," Arad said. "And we will see what happens to Ghost Rider [2], but I would like to get that going."
Coming in 2007 are Spider-Man 3 and Fantastic Four: Rise of the Silver Surfer.
Further out are proposed movies based on Captain America, Bratz: The Movie and Ant-Man. Arad also confirmed that Wolverine and Magneto are coming as spinoffs of the X-Men movies. As for a fourth X-Men ensemble film? "That's a question for Fox," he said.
Films that seem less likely to be developed? Arad had nothing to say specifically about a Thor movie, which is also supposedly in the works. But Nicolas Cage, who stars in Ghost Rider, said that he is looking forward to Arad's proposed Sub-Mariner film.

SpiderX - March 26, 2007 02:16 PM (GMT)

SpiderX - March 26, 2007 02:39 PM (GMT)
Marvel Comics Slate Unveiled
Joe Quesada, editor-in-chief of Marvel Comics, unveiled a new slate of projects—including new Spider-Man, Daredevil and Annihilation titles—during a panel at New York Comic Con over the weekend.
First announced were two high-profile projects: a new Spider-Man story arc, Spider-Man: One More Day, written by J. Michael Straczynski, with art by Quesada, which is due in August, and Daredevil: End of Days, written by Brian Michael Bendis, with pencils by Bill Sienkiewicz, said Quesada. (He was joined on the panel by Jim McCann, Bill Rosemann, Dan Buckley, Arthur Suydam, Christos Gage and C. B. Cebulski.)
This was followed by a long discussion of the upcoming new chapter in the Annihilation saga, Annihilation: Conquest. The new series kicks off in June with Annihilation: Conquest—Prologue (written by Dan Abnett and Andy Lanning, with pencils by Brian Denham), followed by Conquest—Quasar, written by Christos Gage, with pencils by Eric Basaldua). Subsequent titles include Conquest—Starlord (written by Keith Giffen, pencils by Timothy Green II) and Conquest—Wraith (written by Javier Grillo-Marxuach, pencils by Kyle Hotz). The storyline will culminate with Annihilation: Conquest, numbers one through six, coming out November through April 2008, written by Dan Abnett and Andy Lanning, with pencils by Tom Raney.
Also forthcoming is an event that will bring magic back to the Marvel Universe: Mystic Arcana, which will feature the creative team of Louise Simonson, Roy Thomas, Jeff Parker and C. B. Cebulski. Mystic Arcana is slated for a May release.
Quesada also announced that Marvel has signed exclusivity deals with artists Marko Djurdjevic and Arthur Suydam (Marvel Zombies) and noted that best-selling SF author Orson Scott Card will be writing "The Gold Bug," an original story set in the milieu of Ender's Game, which will appear exclusively in the upcoming Red Prophet graphic novel.
In July, to coincide with the release of Michael Bay's live-action Transformers film, Marvel will publish a major crossover event: New Avengers/Transformers. The four-issue limited series goes on sale July 5 and is written by Stuart Moore and penciled by Tyler Kirkham. When the project was announced, Moore joined the panel briefly and said, "The thing that appeals most to me is that it's the best reason for a widescreen comic I've ever heard of in my life."
Also due this summer is a new ongoing series of comics based upon the Halo video-game franchise. Halo is written by Brian Michael Bendis, with pencils by Alex Maleev.

SpiderX - March 26, 2007 02:50 PM (GMT)
Marvel At Wizard World Los Angeles: http://www.marvel.com/news/comicstories.887

Stan Lee Presents Mosaic
A young actress develops superpowers in one of the blandest superhero adventures of all time
Stan Lee Presents Mosaic
Starring the voices of Anna Paquin and Kirby Morrow
Directed by Roy Allen Smith
Written by Scott Lobdell, from a story by Stan Lee
72 mins.
MSRP: $14.98
By Adam-Troy Castro
A live-action Stan Lee comes on screen, all excited about his latest character, who has some of the most astounding powers yet. Just wait till you see!
Nobody said you had to be bright to rule the world ...
Animation of the quality currently expected on Saturday-morning television (i.e., representing movement without quite capturing it—acceptable in the case of a sufficiently entertaining story) begins. The credits feature various cartoon clips of generic superheroes in generic action sequences. Three in particular are extremely reminiscent of Captain America, the Hulk and Deathlok the Demolisher, capturing their respective essences without straying into territory that might attract lawyers. Neither they, nor the zombies who menace one potential victim, will appear in this 72-minute film at all. One wonders if this will be the standard opener for every entry in this new line of Stan Lee productions. That's a good way of cutting costs.
Once we are done scratching our heads over the splendid irrelevancy of that credit sequence, it's time to meet Maggie Nelson (Paquin), an appealing blond teenager who aspires to fame as an actress. We first see her on stage, reciting Puck's closing speech from A Midsummer Night's Dream. "Reciting" is, alas, precisely the correct word. It may be hard to tell, given the stiff animation, but what we see and hear looks like the happy line-reading of any wannabe thespian whose main attraction to the art is that it requires people to look at her. This could be deliberate characterization, as it's well within what we could forgive from Maggie. But further developments will require us to view her acting ability as a superpower of sorts, to go along with the invisibility, shape-changing and wall-crawling she will soon derive from a bolt of lightning. From this we assume either that the Oscar-Winning Paquin wasn't giving the project her all, or that her particular thespic talents do not include any personal feel for the Immortal Bard of Stratford-on-Avon.
But that's a minor point. So is our subsequent glimpse of Maggie's home life, which largely consists of long one-way conversations with her pet chameleon. She's cute. She's adorably rendered. She giggles whenever she says something she considers particularly funny. One feels sorry for the good friend and would-be boyfriend, with his heart on his sleeve, who keeps trying to tell Maggie how he feels. It must be horrible being in love with a girl who only has eyes for her lizard. Maggie doesn't so much deflect him as repeatedly and completely fail to notice what he keeps trying to say. The girl may wear more than her share of tight pants and midriff-baring shirts, but the wonderful world of teenage hormones seems to have passed her by completely.
Acting that's far from super-powerful
Maggie also has a dad who's an Interpol agent. We know this because he mentions the fact that he's an Interpol agent about once a minute, perhaps in retaliation for Maggie mentioning her self-identification as an actress about once a minute. (The alternative, of course, is that scripter Lobdell, a veteran chronicler of the print X-Men, either feared or was directed to fear his young audience's ability to retain or comprehend basic information.) Dad, who works out of the huge Interpol building in downtown Manhattan, is injured and later kidnapped while working on a case involving a secret offshoot of humanity with shape-changing abilities. It is thus wonderfully convenient that a fortuitous bolt of lightning has presented Maggie with powers that not only mimic but in fact exceed those of Homo chameleo. And yes, this will lead to her designation as, all together now, "The Chosen One," foretold in prophecy. Yay!
Further developments lead to Maggie meeting Mosaic (Morrow), one of the shape-changers in question, who has been charged with tracking down and defeating the evil Mannequin, a villain of his species whose own aspirations naturally include conquering the world. She joins up with Mosaic out of determination to save her dad, a mission that ultimately requires jetting to Italy and then to the North Pole. The climax requires her to pose as Mannequin's long-lost wife, returned from the dead, a tactic that proves surprisingly effective on a villain from a race of shape-changers, who should have some familiarity with the phenomenon of people who aren't who they pretend to be. Ah, well. Nobody said you had to be bright to rule the world; just look at our own government.
Maggie's triumphant cry upon being found out—"It's called acting!"—will no doubt remind many viewers of Team America: World Police, another recent film with a main character whose Ac-ting was given similar dramatic overemphasis as a sort of superpower beyond the ken of ordinary men. But that film treated the concept with withering sarcasm. This one is dead serious.
Maggie herself straddles the line between unbearably cute and unbearably annoying, likable indeed when she does teenage-girl things like falling asleep on the shoulder of a plane-trip companion, less so in her forced giggles and even more forced constant monologue. She's not a total waste. We can't quite say we hated her. But she's as totally forgettable as the story she inhabits. Though she naturally winds up devoting herself to many more adventures in her new secret identity, we somehow don't expect any to materialize.
http://www.scifi.com/sfw/screen/sfw15265.html

SpiderX - March 26, 2007 03:01 PM (GMT)
Marvel Card Game Trades Up
Dennis Lee of Konami Digital Entertainment told SCI FI Wire that Konami's new Marvel Trading Card Game is the video-game recreation of the hard-copy card game from Upper Deck. "The game basically allows you to create a deck of Marvel superheroes and supervillains, and then you pit that deck against another player or the computer player and you see who wins," Lee said in an interview at the New York Comic Con earlier this month.
Players can create decks that team up characters from anywhere in the Marvel universe, Lee said. "[For instance, if] you really like Silver Surfer and X-Men, you can make a Silver Surfer and X-Men deck," he said. "[Even though] typically you really don't see that team-up much in the Marvel universe."
The game features several different modes of play, including the single-player story mode, Lee said. "[In that mode,] you will pick either the hero side or villain side, and then you play through a story that unfolds like a comic book," he said. "For example, in the hero mode, say you start off as Spider-Man. It goes through a couple of comic-book panels, then once he meets a villain in the story, you actually play a trading-card game duel against [the computer]."
Rare cards are just as rare in the video game as they are in the Upper Deck version, Lee said. "[Cards like the] 'Enemy of My Enemy' are going to be the key rare cards that everyone is going to want because everyone needs them in their deck," he said.
Lee said one of the perks of the video game over the physical card game is that you don't always need an opponent to play against. "Also, what's nice is you have your virtual library of cards that's all electronic, and it's all housed on the server as well," he said. "So you can't lose your cards, you can't bend them or damage them or somehow accidentally lose your deck. ... The game itself will [also] keep track of all the rulings for you, so you won't have to get into an argument [over rules]."
The game's Web site offers a number of community features, including the ability of players to see how their scores compare to other players, Lee said. "[Also,] that's where you find other players to play against," he said. "There is a message board and forums and a trading area where you can trade your online virtual cards with other players."
The game—which is available now for PC and Sony PSP and is coming soon to Nintendo DS—will allow for PC-PSP cross-platform play, Lee said. "With the PSP you can actually play against PC players, so both the PSP and PC all play in one pool," Lee said. "No other PSP game has done that yet. And then on the Nintendo DS you can play against other players online through Nintendo's Wi-Fi network."
http://www.marveltcgonline.com/

SpiderX - March 26, 2007 03:05 PM (GMT)
Marvel Makes Changes
Marvel Studio has tapped David Maisel as studio chairman, with Kevin Feige becoming the top creative executive as president and chief operating officer Michael Helfant departs, Variety reported.
Maisel, who had been vice chairman, continues to occupy the office of the chief executive for Marvel Entertainment with Isaac Perlmutter and John Turitzin.
Feige continues as production president and will more directly supervise creative aspects of Marvel's TV, home-video and video-game efforts. Feige also is a producer on the upcoming releases Iron Man and The Incredible Hulk.
The moves mark the official end of an era for former chief Avi Arad, who had stayed on as a creative adviser after he left last spring. He is now a full-fledged producer and was not named in the company's release.
The studio goes into production this week on Iron Man, the Jon Favreau-directed superhero movie that's set for release in 2008. Hulk is also set for a 2008 release.


SpiderX - March 26, 2007 03:13 PM (GMT)

SpiderX - March 26, 2007 03:20 PM (GMT)
Marvel Makes Changes
Marvel Studio has tapped David Maisel as studio chairman, with Kevin Feige becoming the top creative executive as president and chief operating officer Michael Helfant departs, Variety reported.
Maisel, who had been vice chairman, continues to occupy the office of the chief executive for Marvel Entertainment with Isaac Perlmutter and John Turitzin.
Feige continues as production president and will more directly supervise creative aspects of Marvel's TV, home-video and video-game efforts. Feige also is a producer on the upcoming releases Iron Man and The Incredible Hulk.
The moves mark the official end of an era for former chief Avi Arad, who had stayed on as a creative adviser after he left last spring. He is now a full-fledged producer and was not named in the company's release.
The studio goes into production this week on Iron Man, the Jon Favreau-directed superhero movie that's set for release in 2008. Hulk is also set for a 2008 release.




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